Round two winners for GR Supra GT Cup Asia Philippines recognized

A mix of old and new names filled the winners’ list of the second round of Toyota Motor Philippines (TMP)’s national e-motorsports program, the GR Supra GT Cup Asia Philippines.

Hundreds of players participated from their own homes, virtually racing Toyota’s flagship sports car, the GR Supra, on the tracks of the Autopolis International Racing Course. After the qualifying rounds and the finals heat, TMP has declared the official winners for this round.

Leading the Sporting Class is Luis Moreno who also won during the first round. With him on the podium are second placer Miguel San Mateo and third placer Terence Lallave, both first-time Top 3 finishers.

In the promotional class, new Top 3 qualifier JB Cruz won first place, zooming past second placer Lance Guballa and third placer Lance Padilla. Guballa and Padilla won third and second places, respectively, during the first round.

Round 2 points have a 1.5 multiplier. The third and final round with doubled points will be held this month, to be broadcast on September 26. Registration for the third round is now open at Toyota’s dedicated page.

Accumulated points after the third round will determine the two overall champions, one from each class, who will then represent the Philippines at the Asian Regional Championship of the GR Supra GT Cup in October. A third champion also headed to the regional championship will be coming from the Celebrity vs. Media class, also happening this September.

“I feel ecstatic for the win, considering the nature of the track. I am very happy to pull another victory on a track I consider the toughest in the calendar,” said Sporting Class champion Moreno.

“Unlike Suzuka, this track’s nature does not have as much breathing room as it goes one corner after another. I also had to deal with how to overtake in this track considering I started in P9 and clean passes in this track are so difficult,” Moreno explained.

Promotional Class champion Cruz meanwhile expressed his appreciation of e-motorsports program as it allows more racing fans to pursue their passions.

“A child playing toy cars in a fashion that he’s mindful about body roll, suspension, traction. etc. A kid waiting for cars to pass by and memorizing the brands and models, that was me. We couldn’t afford to buy a car before, but videogames allowed me to dream of getting beautiful cars and to be a race car driver. This is the first time for me to enter a legit e-sports racing competition, and especially coming from Toyota and winning? A fulfilling experience that’s what it is,” said Cruz.

The GR Supra GT Cup Asia Philippines expands TMP’s motorsport activities led by the Vios Racing Festival (VRF). This year’s VRF season has been postponed due to the pandemic, but this hasn’t stopped TMP from promoting waku-doki or the heart-pumping excitement of racing.

“The GR Supra GT Cup Asia Philippines E-race is really our way to continuously give a thrilling driving experience even with our limited physical movement,” said Elijah Marcial, TMP’s vice president for marketing services.  “Many people are now confined to their homes, they probably miss bringing out their cars for a road trip or track day with friends. Let us not allow this pandemic to take away the fun and excitement of driving.  It’s a totally different experience, but with a virtual supra running at top speeds, a digital sound of engines revving, and a friend cheering for you in the comment box, it’s the joy of driving at a different level!”

GR Supra GT Cup Asia Philippines is TMP’s first national virtual motorsport tournament organized under Toyota’s Gazoo Racing brand.  Races are held online via the Gran Turismo Sport game on the PlayStation platform.

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Hacks review: A sharp comedy about making comedy

If you’re looking for something fresh, unique, and satisfyingly clever to watch, then Hacks is a series you’ll eat right up.

It’s hard to pull off a show about showbiz to begin with but doing one about making comedy is an even harder act to do.

However, with the winner combo that is the brilliant Jean Smart and her booming young stand-up comic co-star Hannah Einbinder, not only do they pull it off, but they also knock it out of the park.

The premise is simple: Smart plays Deborah Vance, a veteran comic with a successful long-running show in Las Vegas who recently is told to give up her weekend slots so that venue owner, Marty, played by Christopher McDonald (Into Thin Air, Happy Gilmore), can book a new singing group to attract a younger demographic.

While Vance acknowledges her show regulars are people “who come up from Florida”, she is livid by having to give up her weekend shows to make way for a lip-synching singing group.

Meanwhile, Einbinder plays young Ava who has recently been canceled by a now very woke LA due to an insensitive tweet and is having difficulty booking writing gigs despite previously having lucrative enough prospects to be able to afford to purchase a townhouse for herself.

Hollywood has now turned its back on her just as the city has and has found herself ostracized from the industry with no one wanting to work with her.

Serendipitously handled by the same agent, Ava is sent to Vance in Las Vegas to work for her as a writer in hopes of freshening up her act to keep her weekend show slots.

Thus, the equally skeptical working relationship begins.

More importantly, the show also tackles the great generational divide between Smart and Einbinder’s characters. Coming from the tail end of the disillusioned Gen X myself, where we are taught that soldiering on in a job you don’t enjoy is just a part of life you need to live with, it’s easy to find Ava’s idealistic take on unemployment very annoying.

She will likely be judged by the viewer initially as an entitled slacker who does not really know what hard work means.

Ava is someone who likes to complain about everything and somehow manages to logically justify it to be a violation of her rights and does a lot of this throughout the show.

That is why it is also equally enjoyable to watch Vance not give any importance to these complaints and oftentimes make her do grunt work fit for a personal assistant than a hired writer who is employed to better your comedy.

As much as it is satisfying to see the entitled Ava disgruntled by donkey tasks, this dynamic does not last as the two eventually find a way to work together through circumstances that present itself when forced to work together.

This is where the show tackles the real essence of the generational divide and where both Smart and Ava open up their characters quite beautifully.

You are immediately drawn by the many layers of Deborah Vance’s character, toughened by years and years of shit-eating she had to do as a pioneering woman in the world of comedy.

Just as we are drawn to it, so is Ava, and her resentment easily turns into admiration as she first realizes that Vance was probably a major player in kicking down the door that opened opportunities for women of her generation today.

But the show also reveals, albeit very subtly, that Ava does have a unique point of view as a writer and is not as entitled as she makes out to be. Rather, she is a smart female in her twenties who has real talent, empowered without hesitations to stand up for what she thinks is rightfully hers for the taking.

As the two characters learn from each other and try to make each other better, it is not hard to root for them.

The show makes you hope that the two can sort out their issues and work together because you almost positively know for sure that when they do, it will be magic. We have yet to find out.

In the meantime, you will find Hacks truly engaging and surprisingly addicting as you find yourself caring deeply about its characters.

It’s not a surprise that the show has bagged a few Emmys just in its first season. It is brilliantly written and the two women who carry the lead roles are astounding in it.

You can catch Hacks on HBO, which has been airing since October 11, 2021.

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